Yet Grotesk
18 styles, 9 weights
From Thin to Black, with Italics
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18 styles, 9 weights
From Thin to Black, with Italics
About Yet Grotesk
A Grotesk is like a classic dish. Countless restaurants offer it because it’s embedded in global culture and hence clients like to order it. It’s a way to show your skills on a widespread model; it’s a people-pleaser; it’s a kind of letterform that just works. For these reasons, every foundry, every designer draws their own grotesk typeface. It’s the simple yet ultimate font for everyday use, the go-to material for branding and book design: everyone chooses a favorite and everyone also enjoys to try new ones. It’s commonplace yet ubiquitous for a good reason.
Yet Grotesk is a multitool sans serif typeface designed with functionality in mind. It seeks balance, stays humble, and aims to straightforwardly convey its intended message. Inspired by great typefaces like Akzidenz Grotesk, Record Gothic, and Gerstner Program, it also takes features from more mainstream forms like Arial, embracing accessibility and everyday appeal. The shapes feel familiar yet distinctive in some details. Capitals are drawn wide to provide for strong titles or all-caps composition. The spacing leans to the tight end which allows for dark and robust text blocks.
Images © Olivier Bémer
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DesignerEmmanuel Besse
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TeamHugues Gentile
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Release2025
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Glyphs823
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Single weightFrom 50,00 €
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FamilyFrom 450,00 €
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Trap is a subgenre of hip hop music that originated in the Southern United States, with lyrical references to trap starting in 1991 but the modern sound of trap appearing in 1999. The genre gets its name from the Atlanta slang term “trap house”, a house used exclusively to sell drugs. Trap music is known for its simple, rhythmic, minimalistic productions that uses synthesized drums, and is characterized by complex hi-hat patterns, snare drums, bass drums, some tuned with a long decay to emit a bass frequency (originally from the Roland TR-808 drum machine), and lyrical content that often focuses on drug use and urban violence. [Round Dots]
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Wireframes E-MAILS
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“Daily Delivery” Program
FAQ (Fast Service)
Standard CDs have a diameter of 120 mm (4.7 in), and are designed to hold up to 74 minutes of uncompressed stereo digital audio or about 650 MiB (681,574,400 bytes) of data. Capacity is routinely extended to 80 minutes and 700 MiB (734,003,200 bytes), 90 minutes 800 MiB (838,860,800 bytes), or 99 minutes 870 MiB (912,261,120 bytes) by arranging data more closely on the same-sized disc. The Mini CD has various diameters ranging from 60 to 80 millimetres (2.4 to 3.1 in); they have been used for CD singles or delivering device drivers.
A B C D E F G H I J K L M N O P Q R S T U V W X Y Z a b c d e f g h i j k l m n o p q r s t u v w x y z # € $ ¢ £ ƒ ¥ ₺ ₽ ₫ ₿ 0 1 2 3 4 5 6 7 8 9 È É Ê Ě Ë Ē Ĕ Ė Ę Ế Ệ Ề Ể Ễ Ẹ Ẻ Ẽ ă å ǻ ą ắ ặ ằ ẳ ẵ ấ ậ ầ ẩ ẫ ạ ả æ ǽ , ; : . ! ? « » ( ) [ ] { } * § ¶ @ © ® ℗ ™ ⓪ ① ② ③ ⓿ ❶ ❷ ❸ ← ↑ → ↓ 🔁 🔂 🔃 ☑ ☒ ❌ ★ ☆ ⏯ ⏸ ⏹ ⏺
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Napoli “Coast” Lines
1988 Las Vegas (USA)
Japan, Departures
The sculpture is built of mud, precipitated salt crystals, and basalt rocks. It forms a 1,500-foot-long (460 m), 15-foot-wide (4.6 m) counterclockwise coil originally jutting from the shore of the lake, though due to the drying of the lake, as of 2022 a mile of lakebed separates Spiral Jetty from the shore. Depending upon the water level of the Great Salt Lake, the sculpture is sometimes visible and sometimes submerged.
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LAS CONVERSIONES DE TALLA PUEDEN VARIAR ENTRE MARCAS Y PODRÍAN NO CORRESPONDER EXACTAMENTE CON LAS CONVERSIONES INDICADAS ARRIBA.
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SIZE CONVERSIONS MAY VARY BETWEEN BRANDS AND MIGHT NOT EXACTLY MATCH THE CONVERSIONS LISTED ABOVE.
IF YOU’RE UNSURE ABOUT YOUR SIZE, PLEASE CONTACT US.
———
LAS CONVERSIONES DE TALLA PUEDEN VARIAR ENTRE MARCAS Y PODRÍAN NO CORRESPONDER EXACTAMENTE CON LAS CONVERSIONES INDICADAS ARRIBA.
SI NO ESTÁ SEGURO DE SU TALLA, POR FAVOR CONTÁCTENOS.
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Seating arrangements in an auditorium seating layout (or assembly space) will either be identified as “multiple-aisle” or “continental”. These terms are commonly found in design standards manuals, building codes, and similar architectural reference documents. Each size is unique, with specific guidelines governing row size, row spacing, and exit ways. Basically, a multiple-aisle arrangement will have a maximum of 14–16 chairs per row with access to an aisle-way at both ends. In a continental arrangement, all seats are located in a central section. Here the maximum quantity of chairs per row can greatly exceed the limits established in a multiple-aisle arrangement. In order to compensate for the greater length of rows allowed, building codes will require wider row spacing, wider aisles, and strategically located exit doors.
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La moka è una caffettiera ideata da Alfonso Bialetti nel 1933 e prodotta successivamente in più di 320 milioni di esemplari. Si tratta di un prodotto di disegno industriale italiano famoso in tutto il mondo, presente nella collezione permanente del Triennale Design Museum di Milano e del MoMA di New York.
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